The Painted Lady cr-6 Page 19

  ‘It’s a tempting offer.’

  ‘I shall put it to Jocelyn and Sir Willard.’

  ‘Then they’ll view it in the same cynical way as me.’

  ‘Why cynical?’

  ‘We are not blind, Elkannah,’ said Henry with a grin. ‘You’ve not abandoned your pact at all. You are simply presenting it to us in disguise. If we go to Newmarket tomorrow, we’d be unable to attend Sir Martin’s funeral. That’s your ruse. You wish to get the three of us out of London.’

  ‘I feel that I owe it to Araminta to do so.’

  ‘Then your feelings do not accord with mine.’

  ‘How so?’

  ‘I grieve with her,’ said Henry, trying to sound dignified. ‘I share her misery. Tomorrow will be the most trying day of Araminta’s young life. It would be callous to spend it enjoying myself at the races.’

  ‘You intend to break our pact, then?’

  ‘Only minutes ago, you declared it impractical.’

  ‘The principle holds, Henry.’

  ‘It will be something to reflect on as you journey to Newmarket.’

  ‘Do you plan to sneak off to the funeral behind my back?’

  ‘I will do what I will do,’ said Henry, grandly.

  ‘Then you are just as bad as the others.’

  ‘We are all four banded together in this, Elkannah.’

  ‘Do not include me,’ said Prout, firmly. ‘I renounce the Society and all it stands for. My devotion to Araminta remains unaltered but it prompts me to move in a different direction.’

  ‘To Newmarket — so that you can bet on horses.’

  ‘That was merely a device to keep you away from her tomorrow.’

  ‘Why not admit that at the start?’

  ‘You disappoint me, Henry.’

  ‘There’s nothing I can do about that. Allow me to give you a word of warning. Do not even think of inviting Jocelyn or Sir Willard to join you tomorrow. They will laugh in your faces.’

  Prout got to his feet. ‘Is that what you are doing?’

  ‘No, Elkannah.’

  ‘I know mockery when I hear it.’

  ‘I’m giving you sound advice.’

  ‘What you are doing is to betray the promise you gave me. You agreed to stay away from Araminta tomorrow.’

  ‘And I may still do so,’ said Henry, getting up from his chair.

  ‘No,’ said Prout, angrily. ‘I see you for what you are. You, Jocelyn and Sir Willard have signed a pact of your own. The three of you are plotting to be there tomorrow to get a glimpse of her even though she will be consumed with sorrow.’

  ‘There’s no plot, Elkannah.’

  ‘I looked upon you as a friend.’

  ‘I remain one still.’

  ‘Not when you deceive me like this.’

  ‘It’s you who wilfully misunderstands me.’

  ‘I’ve seen far too much of Henry Redmayne to misunderstand him. You tell me that you grieve with Araminta but that did not hinder you from spending half the night at the card table. Is that the way you share her misery?’

  ‘Why this sudden piety?’

  ‘I know you for what you are.’

  ‘A devotee of pleasure in all its forms.’

  ‘A weak-willed degenerate.’

  ‘I patterned myself on you,’ rejoined Henry. ‘There was not a rake in the whole of the capital who could touch Elkannah Prout for drinking, gambling and whoring. You gave the lead that I followed. Yet now you’ve lost your appetite for vice,’ he continued, ‘you portray yourself as a paragon of virtue.’

  ‘I just felt that it was time to make a stand.’

  ‘We preferred you as you were.’

  ‘That’s your prerogative.’

  ‘Come back to us, Elkannah.’

  ‘Not while the three of you scheme against me.’

  ‘But we’ve not been doing that.’

  ‘There’s nothing I despise as much as disloyalty, Henry, and that’s what you’ve displayed. I take back my former suggestion.’ He held out his hand. ‘Please repay the money you owe me.’

  ‘When I have the chance to make it work for me?’

  ‘Yes,’ said Prout, nastily. ‘And look to borrow nothing more from my purse. I’ll not lend a single penny to you ever again.’

  Henry was alarmed. ‘That’s too harsh, Elkannah.’

  ‘It’s a fit penalty for a traitor.’

  ‘But you have ever been my most reliable banker.’

  ‘Not any more, Henry.’ Prout snapped his fingers. ‘Pay up!’

  After his brief imprisonment there, Christopher Redmayne knew all about the multiple indignities of Newgate. As a result, he returned to the place with some trepidation. Because he had helped to capture and hand over Jean-Paul Villemot, he was no longer suspected of aiding the escape of a fugitive and was safe from arrest. That fact brought him no comfort as he walked reluctantly towards the prison. Once inside, he feared that they would somehow find a means of keeping him there.

  Destroyed by the Great Fire, the prison had been completely rebuilt and it was slowly nearing completion. The structure had a splendour to gladden the heart of any architect yet it did not even attract a glance from Christopher. Behind the imposing exterior, he knew, was a world of suffering, hunger and darkness of the soul. As he entered the great portal, he felt an instant tremor. The man who conducted him to Villemot’s cell insisted on staying to listen to the conversation. When he saw that he had a visitor, the artist flung himself at the bars.

  ‘Christopher!’ he cried.

  ‘How are you, Monsieur Villemot?’

  ‘I am not well, my friend.’

  ‘If you are ill, I can arrange for a doctor to visit.’

  ‘The illness, it is not in my body,’ said Villemot, tapping his skull with a finger. ‘It is up here — in the head.’

  ‘Are you in pain?’

  ‘My thoughts leave me in agony.’

  Christopher was disturbed by his appearance. The Frenchman was haggard with anxiety and loss of sleep. His eyes were darting and his body twitching. He slapped a hand to his temple as if suffering severe pain. Christopher feared that he might have picked up one of the many diseases that were so rife in the prison. Foul water and lack of sanitation made an already noxious environment far worse. Even the healthiest prisoner could succumb to the powerful compound of infections. In spite of a good constitution, Villemot might easily have fallen prey to a form of brain fever. In its later stages, it would make him rant and rave as it was patently doing to some of those who were contributing to the daily tumult in the other cells.

  ‘Emile came to see me,’ said Villemot.

  ‘Yes, I spoke to him earlier.’

  ‘He says you are trying to get me out of here.’

  ‘Indeed, I am,’ said Christopher, ‘and I’m not alone in my efforts. Jonathan Bale, whom you met, is helping me a great deal and I’ve called on the services of my brother, Henry.’

  ‘What can he do?’

  ‘He knows people. He can open doors for me.’

  ‘Then let him open this door,’ yelled Villemot, shaking it with such violence that it rattled aloud. ‘I lose my mind in here.’

  ‘Emile told me that you had another visitor, one who must have been shocked by your condition. Lady Lingoe came to see you.’

  ‘She brought food and drink.’

  ‘So did I,’ said Christopher. ‘I left them with the prison sergeant. Let me know if they don’t reach you.’

  ‘I am not worried about food. I hate being locked up.’

  ‘I know. I felt the same and I was only behind bars for a short time. It’s that sense of helplessness, of being at the mercy of others.’

  ‘Set me free!’ begged the other.

  ‘We are working hard to do so, Monsieur Villemot.’

  ‘I am an artist. I paint things of beauty. In here, everything is ugly. Is frightening. I look ugly myself.’

  It was true. Even though he had put on the fresh clothing t
hat his valet had brought, Villemot looked dirty, crumpled and beaten. The prison stench had burrowed its way into his garments and pieces of damp straw were sticking to his shoes and breeches. Christopher’s desire to rescue him was intensified.

  ‘Before I can get you out,’ he said, ‘I need your help.’

  ‘What can I do?’

  ‘Tell me what happened the day you went to that house.’

  ‘I’ve already done that, Christopher.’

  ‘No, you didn’t. You told me only part of the story and I need to know every last detail. Why did you go into the garden?’

  ‘I did not,’ said Villemot, defensively.

  ‘You were seen coming out of there,’ said Christopher, ‘so there’s no point in denying it. A reliable witness will stand up in court and tell the judge that you were in that garden.’

  ‘It was only for a second.’

  ‘So you were there?’

  Villemot kept him waiting for an answer. ‘I put my head in,’ he said, eventually, ‘that is all, Christopher.’

  ‘Why didn’t you tell me this before?’

  ‘Is not important.’

  ‘It’s very important,’ argued Christopher. ‘It could mean the difference between life and death. If all that you did was to look at the house, they have no case against you. Since you were seen coming out of the garden — the very place where Sir Martin was killed — then you do have questions to answer.’

  ‘I was there one or two minutes at most.’

  ‘Why?’

  ‘The garden gate, it was open.’

  ‘But why did you go through it?’

  ‘I was curious.’

  ‘Are you in the habit of trespassing on other people’s property out of curiosity?’

  Villemot tensed. ‘You make fun of me.’

  ‘I’m asking exactly what will be asked in court.’

  ‘It must never get that far.’

  ‘Then give me some real help, Monsieur Villemot. I am on your side. Why do you keep holding things back from me?’

  Drawing back from the bars, the artist retreated to a corner of his cell and sulked. He studied Christopher warily. It took time for him to reach the decision to trust his visitor. When he did so, he took a step towards him.

  ‘Araminta — Lady Culthorpe — she talk a lot about it.’

  ‘The garden?’

  ‘Sir Martin spent much money.’

  ‘He obviously derived great pleasure from it.’

  ‘I was curious,’ said Villemot. ‘When I see the gate open, I wanted to look at this famous garden for myself.’

  ‘Wasn’t there an easier way to do that?’ asked Christopher.

  ‘Easier way?’

  ‘All you had to do was to express an interest and I’m sure that Lady Culthorpe would have invited you to the house. Instead of which, you sneak in there like a criminal.’

  ‘I am no criminal!’ shouted Villemot.

  ‘Calm down, calm down.’

  ‘I do nothing wrong.’

  ‘There’s no need to get so angry, Monsieur Villemot.’

  ‘Then do not call me names.’

  ‘I’m sorry,’ said Christopher. ‘I am simply telling you how it looks to an impartial observer. A man is stabbed to death in his garden. You are seen leaving it. A plea of curiosity is not an adequate defence. We need more.’

  ‘What more is there?’

  ‘You still haven’t admitted why you went near the house.’

  ‘I was riding past.’

  ‘But what took you to Westminster?’

  ‘I wanted some fresh air.’

  ‘There are plenty of others places you could have gone.’

  Villemot shrugged. ‘I go for a ride. I find myself in Westminster.’

  ‘You’re hiding something from me.’

  ‘What am I hiding?’

  ‘I think that you followed Lady Culthorpe’s carriage when it took her home that day.’ The Frenchman’s eyes flashed but he held his tongue. ‘When she had been dropped off at the front door of the house, the coachman drove around to the stable block. He saw you there. His name is Dirk and he’s another reliable witness. So,’ said Christopher, patiently, ‘let’s have no more pretence. Did you follow that carriage to Westminster?’

  There was a long pause before Villemot grunted his reply.

  ‘Yes.’

  ‘Was that out of curiosity as well?’

  ‘Yes.’

  ‘Or was it because you’d grown so fond of Lady Culthorpe?’

  ‘No!’ snapped Villemot.

  ‘Is that what took you there?’

  Spinning on his heel, the artist retreated to the farthest corner of his cell and kept his back to his visitor. His shoulders were heaving and his feet shuffling. Christopher gave him plenty of time before he returned to his questioning.

  ‘What happened afterwards?’ he asked. ‘When you came out of the garden, where did you go?’

  ‘Back to the studio.’

  ‘But you didn’t. When I called in there, Emile said that you’d been away for a couple of hours. Was your valet lying?’

  Another lengthy pause ensued. ‘No, he was not.’

  ‘So where did you go?’

  ‘I tell you already,’ said Villemot, rounding on him. ‘I go for the ride. I often go for the ride. You can ask Emile.’

  ‘Did something happen in the course of the ride?’

  ‘Why do you say that?’

  ‘Did it, Monsieur Villemot?’

  ‘No.’

  ‘Then why were you so upset when you got back?’

  ‘I was not upset.’

  ‘I was there,’ said Christopher, tiring of his evasion. ‘I saw you with my own eyes. And if you were not upset, why did you come to my house the next day to apologise for your behaviour?’ He fixed the artist with a stare. ‘Or are you going to deny that as well?’

  Villemot chewed his lip. ‘I was annoyed, Christopher,’ he said. ‘While I was out riding, I have the argument with someone and it annoyed me. That was why I was rude to you.’

  ‘With whom did you have the argument?’

  ‘A man I meet in the park.’

  ‘What was the argument about?’

  ‘I do not remember.’

  ‘If it annoyed you that much, you’d be certain to remember.’

  ‘Why do you keep on at me like this?’ demanded Villemot, banging the bars with his fists. ‘You say you wish to help yet you do not believe what I tell you.’

  ‘There’s still too much missing. I need more detail.’

  ‘Do you never ride your horse for the pleasure?’

  ‘Of course I do.’

  ‘Can you always remember where you went and what you saw?’

  ‘I’d remember a heated argument in a park.’

  ‘It was all over in a moment.’

  ‘What did you do with the rest of the time?’

  ‘The rest?’ repeated the other.

  ‘You were out of the studio for two hours,’ Christopher reminded him. ‘Take out your brief visit to Sir Martin’s garden and your even briefer argument with some unnamed person in the park and that still leaves a large amount of time.’ He put his face close to the bars. ‘Why are you so afraid to tell me where you went?’

  ‘Get me out of this place,’ whispered Villemot.

  ‘That’s precisely what I’m trying to do.’

  ‘Get me out soon or you will be to blame.’

  ‘Blame?’ said Christopher.

  ‘Yes, my friend — for my death.’

  ‘What are you trying to tell me?’

  ‘If I stay here much longer, I will kill myself.’

  He meant what he said. The visit was over.

  Sir Willard Grail was leaving his house when he saw his brother-in-law riding towards him. He waited until Cuthbert Foxwell had dismounted before exchanging a greeting with him. A servant came to take away the horse. Foxwell was panting and beads of perspiration stood out on his brow.

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p; ‘A ride like that always tires me,’ he said, removing his hat to use its brim as a fan. ‘I’m an indifferent horseman, Sir Willard.’

  ‘My sister married you for your other virtues, Cuthbert. I don’t think that she values horsemanship in a husband overmuch. Like you, she’s a restful creature.’

  ‘I’m hoping that she had a good rest here, Sir Willard.’

  ‘She did — and she was wonderful company for my wife. Barbara is always welcome here and so are you.’

  ‘Thank you.’

  ‘It’s odd how relationships subtly alter, isn’t it?’ said Sir Willard. ‘When we were children, Barbara was always the elder sister who kept me firmly in line. I was terrified of her.’

  Foxwell grinned. ‘How could you be?’

  ‘Compared to me, she was so big, strong and formidable.’

  ‘Yet she has such a sweet disposition.’

  Sir Willard laughed. ‘It wasn’t quite so sweet when we were growing up,’ he said. ‘I think I was fourteen before my sister realised that she could not order me around any more. That’s when the first subtle change occurred. Instead of bullying me, Barbara learned to get her way by the black art of female persuasion.’

  ‘I’ll listen to no more of this,’ said Foxwell, pleasantly. ‘My wife is the closest thing to perfection that I’ve ever met and I’ll not hear a word against her. I’m just grateful that when we ride home this afternoon, we’ll do so in our coach. I’d not have enjoyed a journey both ways in the saddle.’

  Foxwell’s wife had visited her brother for a few days and her husband had come to collect her. The irony was that she had seen far more of Lady Grail than of Sir Willard but she was habituated to that by now. Her brother did not spend a great deal of time at home.

  ‘You’ll not be joining us for dinner, then?’ said Foxwell.

  ‘I’ve business to attend to in the city.’

  ‘That’s a pity, Sir Willard. I’d have appreciated a talk with you.’

  ‘Another time.’

  ‘You always put me off.’

  ‘We have so little to say to each other, Cuthbert.’

  ‘I set that down to lack of practice.’